GATEKEEPER
“Chicago’s finest purveyors of goulish EBM electro carnage.”
“…Gatekeeper’s music embodies all that we like about 1980s cinematic suspense; paranoid hallucinations, a phantasmagoria of green lights and ectoplasmic mist seeping through multiple fracture lines on the thin walls of reality, you can of course see the long shadow of one true master John Carpenter projected over the icy electroid landscapes and obsessive synth melodies painted on damp concrete with sounds made of black leather, cursed silver and blood-splattered celluloid.” -20JAZZFUNKGREATS

Gatekeeper Live at Abby Pub, February 2009.
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Optimus Maximus FRIGHT 001 © 2009.![]() LISTEN
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Gatekeeper live @ Tech Noir, Chicago, 5/21/2010
Gatekeeper live @ Coco 66, Brooklyn, 3/26/2010
Gatekeeper live @ Automatic, Chicago, 10/31/2009
Optimus Maximus video, footage compiled and edited by San Fransisco based artist TommyBoy.
Gatekeeper “Salvations”, Video, Sound, Light & Fog installation at Scott Projects, Winter 2008.
Gatekeeper live footage assembled by Thunderhorse to the song “Slow Walk”.
Press 2008-2010.
The sounds of industry marching ever onwards [Fokkawolfe | UK | 05 27 10]
CREEPs [Young Creature | US | 02 19 10]
Moods Conducive to Dying and Dancing [New York Times | US | 01 07 10]
Review: Optimus Maximus [Mishka Bloglin | US | 01 04 10]
Listening Station: GK [Self Titled | US | 01 04 10]
Best of 2009 [Skulltheft | US | 12 10 09]
Vade retro satana [Corporate Bloggin | IT | 11 24 09]
Optimus Maximus Review [Resident Advisor | UK | 11 03 09]
“Forgotten” MP3 feature [Prefix Magazine | US | 11 03 09]
GK “Forgotten” [FADER Magazine | US | 11 01 09]
Gatekeeper “Forgotten” [XLR8R Magazine | US | 10 30 09]
Gatekeeper’s Choice [Vice Magzine | US | 10 30 09]
Fact Mix 96- Gatekeeper [Fact Magazine | UK | 10 30 09]
Dance Macabre [Chicago Reader | US | 10 15 09]
God’s Payback [20 Jazz Funk Greats | UK | 10 05 09]
Gatekeeper II [Arawa FM | US | 10 05 09]
F news profile/interview [F News | US | 10 04 09]
Fright Launches with Gatekeeper [Resident Advisor | AU | 09 18 09]
Kompakt’s new “slasher disco” [ FACT Magazine | UK | 09 18 09]
Slow Walk on Prefix [ Prefix Magazine | US | 08 12 09]
Slow Walk on Pitchfork [ Pitchfork Forkast | IL | 10 11 09 ]
Gatekeeper & Telepathe on 20JFG [VICE London | UK | 10 02 09]
Blood Money [20 Jazz Funk Greats | UK | 01 20 09]
Slow Walk [La Maladie Tropicale | TX | 01 05 09]
Final Approach [Digital Heroine | NY | 11 17 09]
So Haunted Compilation [Gorilla VS Bear | TX | 10 31 08]
Gatekeeper on Arawa [Arawa | CA | 10 31 08]
Guts and Gore Galore [Disco Workout | CA | 10 23 08]
The White Void [20 Jazz Funk Greats | UK | 10 01 08]
Gatekeeper on Trash Managerie [Trash Menagerie | IL | 07 11 08]
Eerie letters from the new [20 Jazz Funk Greats | UK | 09 27 08]
NIGHT GALLERY

Night Gallery is a electronic songwriting, production and performance duo based in Chicago Illinois. Members Aaron David Ross and Adam Griffin tribute classic synth pop and new wave artists through a reverb-washed wall of bereaved vintage pop-electronic bliss.
![]() Night Gallery live, Summer 2008. |
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ELECTRONIC WORKS

Cascading Style Sheets
Original music for Roland Juno 6 and Korg Wavestation as a tribute to the CSS web programming language.
Music of the Night Synthesizer Realization

Ring Modulated Tempus Vernum

CHAMBER WORKS
for two bass clarinets, two percussionists and four projectionists, Spring 2006
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![]() Click to view score Video conceived and created by Charles Anderson & Aaron Ross, four edits made to start & stop at random intervals simultaneously on a four-panel horizontal plane. The videos control the length of the musician’s phrases. |
OM SWEET OM
for cello, bass clarinet and FM3 Buddha Machine, Summer 2007
FILM SCORE
Original music for orchestra, Summer 2006
Written as an exercise as part of Columbia’s Semester in LA film scoring program.
Performed and recorded with a live 64 piece LA studio orchestra.
Video used without permission.
MIZAR
Original electronic music, Fall 2006
The original soundtrack to Hsueh Yuting’s graduate thesis film Mizar.
This ‘romance cue’ taken from middle of film.




Click to view score